Studio Notes
The Questions We Hear Most About Working With Clay
From which clay body to start with to why a glaze can look so different after firing — here are the answers we give again and again in the studio.
Keep Reading →New season glazes
A small-batch collection of hand-thrown ceramics, glazed in warm earth tones and built to be lived with — not put away.
Shop the CollectionPopular this week
A handful of favourites from the shelf, glazed and fired in small batches.
At the studio
Our small-group sessions are built for first-timers and returning hands alike. Centre your clay, pull a form, and walk away with a piece that is entirely your own — we will glaze and fire it for you.
Thrown and glazed in our own studio
Cushioned to travel safely to your door
High-fired stoneware made for daily use
Real people, weekdays 10–5
Notes, ideas and stories from the studio
Studio Notes
From which clay body to start with to why a glaze can look so different after firing — here are the answers we give again and again in the studio.
Keep Reading →Ideas
A handmade object carries a kind of attention that a gift card never will. These are the pieces we reach for when we want to give something that lasts.
Keep Reading →Inspiration
Some glazes arrive by accident. Daybreak came from a misfired test tile and a stubborn refusal to throw it away.
Keep Reading →The kiln list
Early access to new glaze drops, studio class dates and the occasional second that did not quite make the shop.